Li Huilian

Li Huilian, stage name Li Xuan, name Yan, courtesy name Shiqing, literary name Qifengshan Ren, Xuanmo Taoist, Han ethnicity,BeijingCity resident, born in 1953.

Honorary Chairman of the World Chinese Artists Association, Vice Chairman of the World Celebrity Art Research Association, Four Star Calligrapher and Painter of the American International Artists Committee, Top 50 Powerful Calligraphers and Painters in China, Founder of Xuanmo Calligraphy and Painting, National First Class Artist, Member of the Chinese Calligraphers Association, Deputy Secretary General of the China Dunhuang Art Creation Committee, President of the Oriental Xuanmo Calligraphy and Painting Academy, Vice President of the China Huaxia Calligraphy and Painting Academy, Visiting Professor of the International Classic Calligraphy and Painting Academy, and Cultural Relic Appraiser.

In 2011, he was awarded the title of Outstanding Artist of the People's Republic of China. In 2012, his works were included in the "New China Artists Grand Ceremony". In the early 1970s, engaged in the study of calligraphy and painting art history. From the early 1980s to the late 1990s, representative works of ink wash freehand painting of flowers and birds include plum, orchid, bamboo, and chrysanthemum (Four Gentlemen), skilled in pine, bamboo, and plum (Three Friends Painting), skilled in wind, snow, and bamboo, ink wash freehand painting of mountains and waters, and calligraphy mainly in regular script and cursive script. In the late 1990s, art creation was dominated by black ink calligraphy and painting. Pioneering the field of Xuan Mo art and culture (with Taoist and Buddhist ideas as the creative purpose). In 1996, he wrote the book "A Brief Discussion on the History of Chinese and Western Art" and later won awards such as the Chinese Art Golden Statue Award. I have been engaged in the creation of Xuanmo calligraphy and painting for many years based on the theory of ancient Chinese Taoism, and have published multiple theoretical papers on the new techniques of Xuanmo culture. I have also been engaged in the appreciation of antique calligraphy and painting for many years. I believe that Chinese calligraphy and painting should inherit tradition and strive for innovation.